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汉语拼音：yuè fèn pái

1.彩画单张年历的旧称﹐亦用以称日历。

1. 彩画单张年历的旧称，亦用以称日历。

   洪深 《青龙潭》第三幕：“壁上贴着些隔年的月份牌，褪了色的美女图；都是城里洋货店或外国肥田粉公司的广告。” 阿英 《漫谈初期报刊的年画和日历》：“至于日历，当时称作‘月份牌’。” 老舍 《四世同堂》八：“老人的年岁正像岁末的月份牌，撕一张就短一张，而眼看着已经只剩下不多的几张了。”

• The last part will study of the cause of modern aesthetic in the calendar poster.

  第四部分研究月份牌画种隐含的近代审美变化成因。

• The contents and subject matters of calendar posters later had turned to represent beauty as the main performance of the real life.

  之后月份牌画的题材和内容便逐渐转向表现以美人为主体的现实生活。

• This article is intended to make visual culture studies of "schoolgirls" in calendar posters around May Fourth Movement.

  本文旨在对“五四”前后月份牌中的“女学生”图像进行视觉文化研究。

• printing technology was introduced from West to China, then furthered its booming.

  西方先进印刷技术传入中国进一步促进了月份牌广告的繁荣。

• Calendar advertisement picture recorded the age, the history and the culture.

  月份牌广告画记录着一个时代、一段历史、种文化。

• at the same time, it was also the disseminator of western culture, with the world characteristic.

  同时，民国时期的月份牌广告又是西方文化的传播者，它具有世界性特征；

• calendar advertisement paintings in Republic of China period played the role of initiating consumption trends.

  月份牌广告画在民国时期起到了倡导消费潮流的作用。

• In this article, we make a first review about cards of months.

  本文就对在这一格局下产生的月份牌画作了初步考察。

• When Zheng Mantuo first created Calendar Picture in the technique of watercolor painting by brush rubbing, and got well receive in 1914.

  1914年郑曼陀独创的“擦笔水彩画法”受到时人的普遍欢迎，从此便在月份牌画中广泛采用。