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汉语拼音：shěn měi duì xiàng

亦称审美客体”。与审美主体”相对。指能使人产生审美愉快的事物、对象。它在客观上与人构成一定的审美关系。

• Archeology also tells us, the original aesthetic object is often useful object, or a production tool, or by hunting animals.

  考古学还告诉我们，人类最初的审美对象往往是实用对象，或者是生产中的工具，或者是所猎获的动物。

• The depth of Dufrenne respectively expresses the depth of object and subject, and the connection between them.

  杜夫海纳的深度分别表现为审美对象的深度、审美知觉的深度，以及二者的关系。

• The aesthetical objective is a very important idea in the theoretical system of his aesthetics of phenomenal science.

  审美对象是他现象学美学理论体系中的一个极其重要的概念。

• The experience of aesthetic objects organizes in itself the internal consistency of the mind.

  审美对象的经验本身就构建了头脑内部的一致性。

• The traditional Chinese aesthetic theory chiefly takes the two types 'soul' and 'thing' to solve such problem.

  传统美学理论主要采取“心”与“物”这两种方式来解决审美对象问题。

• All the richness determines the diversities of aesthetic objects.

  客观世界的丰富性决定了审美对象的多样性。

• Mikel Dufrenne held that the aesthetic object is a pure object of perception.

  杜夫海纳认为审美对象是纯粹知觉对象。

• their initiative, that is, their activeness and creativity; their potential quality to appreciate the beauty of the original.

  译者的主观能动性，即能动性、创造性及对审美对象的审美潜质的高度启动、激发能力。

• Inner aesthetic is sense aesthetic which is based on aesthetic object and media of audio and visual properties.

  内审美是相对于建立在审美对象基础上的、以耳目视听为媒介的感官型审美的内在精神型审美。