年画基本解释

汉语拼音:nián huà

中国民间传统习惯在年节张贴的绘画。内容吉祥喜庆,色彩鲜艳明快。

年画详细解释

  1. 我国特有的一种绘画体裁。供人们在过年时张贴,故名。

    宋 代已有关于年画的记载。传统的年画,多为木刻水印,线条单纯,色彩鲜明,画面热闹;题材主要有五谷丰登、春牛、婴儿、风景、花鸟,以及封建迷信等。建国以来的新年画,在传统基础上推陈出新,丰富多彩,为人民所喜爱。 阿英 《年画的叫卖》:“年画棚就是专卖年画和其他花纸的。” 萧红 《马伯乐》:“仆人室里的圣像,一年要给他们换上一张,好象 中国 过年贴的年画一样。” 王汶石 《大木匠》:“她有一个女儿,名叫 桃叶 ,今年已满十八岁,出俏得象年画上的人物一般。”

年画双语翻译,年画在线翻译例句

    • The cave was large , but quite warm . It had a stove and eating utensils.

      床头贴着“胖娃娃萝卜”的年画.

    • Door - Goods ( left and right ) , Traditional Taohuawu Woodcut Woodcut New Year Picture, SuZhou.

      苏州传统桃花坞木刻年画《门神 ( 左右)》.

    • Sixth , conclusion: thinking about the Chinese folk Wood New Year Picture.

      结论: 中国民间木版年画现状思考.

    • New Year is a very popular and universal art form preserved.

      年画只是作为一种非常通俗而普及的艺术形式保留下来.

    • Wood engraving new - year painting is a gold in the art mine.

      木版年画更是这个艺术宝库中的一朵奇葩.

    • I bought this piece of spring festival picture home.

      我把这一张年画买回家了.

    • Many people hang couplet inscription on either side of their doors.

      这时人们打扫房间院落,贴年画窗花,准备年货.

    • Third , elucidating the vivid characters of Yangliuqing New Year Picture.

      论述了杨柳青木版年画的鲜明的艺术风格.

    • Various colorful New Year posters illuminated the walls.

      丰富多彩的年画使墙壁光彩夺目.

    • How the New Year bought paste method, it has its own style and preferences of.

      买来的年画怎么贴法, 那就各有自己的风格和喜好了.

    • I bought this piece of spring festival picture home. The pictures are sold at per piece.

      我把这一张年画买回家了. 年画的价钱是每张9元.

    • The inane promise of consummation cannot attract people to around the Wheel of Law any longer.

      再靠着“天天望梅,年年画饼”,承诺遥遥无期的“圆满”,已经不能凝聚“轮心”了.

    • The Spring Festival pictures, a folk art in China, have their own aesthetic principles.

      我国民间年画艺术这一绘画体裁, 有它自身的美学原理.

    • The most common ready - made materials are sutra, box, and New Year carved plate.

      最常用的 现成 物品是佛经 、 箱子和年画雕版.

    • Mianzhu Ceramics Spring Festival Pictures are drawn on the top - grage white eeramics made in Jingdezhen.

      绵竹瓷艺年画以景德镇 高档 白瓷为载体,是绵竹年画大师和景德镇瓷艺大师共同打造的收藏宝器,是填补《中国年画史》和《中国陶瓷史》之空白的艺术瑰宝.