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汉语拼音：dù fǔ

(712—770) 唐代著名诗人。祖籍襄阳,生于河南巩县。字子美,自号少陵野老。世称杜少陵。杜甫被公认为唐代以来最伟大的诗人之一。著有《杜少陵集》。

• Insulted, Du Fu left the city to the outskirts and lying on the ridges of the field, poured out his sentiments towards Heaven.

  杜甫蒙受羞辱，就出城到郊外，仰躺在田埂上对天浩叹。

• Du Fu is most skillful in using alliteration and assonance in his poems and he uses it most often than any other poets.

  杜甫最善于使用双声叠韵，其数量之多，结撰之精妙，是其他诗人不及的。

• Just as Confucius and Mencius are the sages of the Confucians, Tu Fu is called the sage of poets.

  杜甫号称“诗圣”，乃诗国之圣人，恰似孔子、孟子，乃儒家之圣人。

• but different in that Li Bai took the moon as a symbol of his own spirit; while Du Fu regarded the moon as an aesthetic existence.

  其异，对于李白，月亮是诗人主体精神的象征，对于杜甫，月亮是其审美观照的对象性存在。

• This assertion was so closely connected with realism advocated by DU Fu that it had a profound effect on the Xin Yuefu movement.

  这一诗学主张与杜甫的现实主义紧密相联，对此后的新乐府运动影响深远。

• I consider it a rare honor since, under the same cover, there are names of such great poets as Li Po and Tu Fu.

  能同李白、杜甫这样伟大诗人的名字出现在同一个封面下，对我来说当然是一种难得的殊荣。

• Poems by Du Fu, Li bai and Wang Wei among others stand out in the halls some of the features that all good poetry shares.

  在这些杰出人物中，数杜甫、李白和王维的诗代表了所有优秀的诗的一些特征。

• I've written one poem in response to a Tu Fu poem about his overturn his wine glass, and his wood stove has grown cold, and he is bitter.

  我写过一首呼应杜甫的诗，他的诗里头说，他把酒杯打翻，他烧木材的炉也冷了，他感到愤慨。

• It can be said he had some similar emotions with Du Fu that his poems embodied the aesthetics carrying on Du Fu's realism.

  戴复古与杜甫也可以说是心神感契，他的诗歌美学思想承祧杜甫现实主义诗美精神一脉而来。